REGISTERED CHARITY NUMBER:
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REPORT OF THE TRUSTEES AND |
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UNAUDITED FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2022 |
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BARROWLAND BALLET |
REGISTERED CHARITY NUMBER:
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REPORT OF THE TRUSTEES AND |
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UNAUDITED FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2022 |
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BARROWLAND BALLET |
BARROWLAND BALLET |
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CONTENTS OF THE FINANCIAL STATEMENTS |
For The Year Ended 31 March 2022 |
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Report of the Trustees | 1 | to | 6 |
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Independent Examiner's Report | 7 |
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Statement of Financial Activities | 8 |
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Balance Sheet | 9 | to | 10 |
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Notes to the Financial Statements | 11 | to | 15 |
BARROWLAND BALLET (REGISTERED NUMBER: SC344711) |
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REPORT OF THE TRUSTEES |
For The Year Ended 31 March 2022 |
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The trustees who are also directors of the charity for the purposes of the Companies Act 2006, present their report with the financial statements of the charity for the year ended 31 March 2022. The trustees have adopted the provisions of Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) (effective 1 January 2019). |
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OBJECTIVES AND ACTIVITIES |
Objectives and aims |
The company's objectives are to promote, maintain, improve and advance the appreciation of and participation in the arts generally and in particular the arts of dance theatre, contemporary dance, music, singing, comedy and film, but not excluding drama, ballet, opera and fine art. |
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The company aims to widen audience engagement in the arts with particular focus on dance theatre for young audiences and their families; adult audiences and strengthening existing audience relationships. Additionally, it aims to develop and deepen relationships with organisations and artists of the highest calibre, pushing the boundaries of dance theatre with experts in their fields. The company aims to provide accessible, community dance theatre projects, specifically in an intergenerational context for the benefit and enjoyment of the whole community. It performs its work nationally and internationally, and promotes equality, diversity, inclusion and community integration through the arts. |
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BARROWLAND BALLET (REGISTERED NUMBER: SC344711) |
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REPORT OF THE TRUSTEES |
For The Year Ended 31 March 2022 |
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ACHIEVEMENT AND PERFORMANCE |
Charitable activities |
Like many charities, 2021-2022 has again been a challenging year for Barrowland Ballet. Navigating the various COVID restrictions and protocols proved complex with additional planning and financial risk. Despite this we were delighted to tentatively resume both our professional and participatory programme, with highlights including premiering and extensively touring our new immersive video installation Family Portrait, creating new work The Gift and undergoing a research period for new piece Chunky Jewellery. We were also delighted to resume our Wolf Pack intergenerational company and weekly Professional Class as well as engage with pupils from St Albert's Primary School and Isobel Mair School in a Dance for Camera project funded through Creative Scotland's Youth Arts Access fund. |
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National Touring |
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Barrowland Ballet were due to tour Scotland with new productions Learning to Fly (for children) and Into the Blue (for adults) in 2020. The final creation and production weeks were however halted mid-schedule in March 2020 due to COVID, with the planned Scottish tour subsequently cancelled. With government restrictions now lifted, it is now intended that Learning to Fly will be completed in spring 2023 with a short Scottish tour, including performances at Edinburgh International Children's Festival 2023. |
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Our new immersive installation piece Family Portrait has had a successful year of extensive touring reaching audiences of 2,913 across the year. The final creation and production weeks took place as planned in April 2021 with a premiere at Take Me Somewhere Festival in May receiving glowing reviews. |
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"dazzling and full of depth" **** The Scotsman |
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This was followed by a short Scottish tour including screenings at Edinburgh International Children's Festival, The Beacon and Macrobert Arts Centre. Imaginate subsequently invited the installation to return to their festival for 2022. The installation then went to Dance Base for a two-week run as part of Edinburgh Festival Fringe reaching audiences of 276, receiving Broadway Baby's Bobby Award for 'Best in the Fest' and several five star reviews. |
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"charming, funny and touching. A heart-warming family portrait which will bring tears to your eyes. ***** |
Broadway Baby |
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"It is as pure a picture of joy and love as they come." ***** The Stage |
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"this heartwarming video installation takes us to the heart of our natural world." **** The List |
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During this initial tour audience numbers were kept at a minimum of up to 6 people from a single household, keeping the screenings COVID secure and providing a safe reintroduction to attending theatre for audiences following the forced hiatus. |
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Following further COVID restrictions being lifted, Family Portrait was able to tour with Theatre in Schools Scotland, visiting 12 schools across Scotland's Central Belt in October, screening to one class at a time. We delivered a total of 48 screenings and associated dance workshops over three weeks in October 2021 reaching an audience of 987. A further schools tour commenced in March 2022 visiting the Highlands and Islands and is due to continue after the Easter holidays, finishing at the Edinburgh International Children's Festival 2022. |
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International Touring |
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The impact of COVID and Brexit resulted in no international touring of live productions in 21/22. However, Family Portrait provided a new model for touring our work internationally without a requirement for team travel. |
Family Portrait was presented at Esplanade Theatre, Singapore as part of their MarchOn Festival in March 2022. This was the first time we have presented work remotely without any of the Barrowland Ballet team being physically present. We supported a local production team to technically produce the production, and create and deliver an adjunct engagement programme of creative activity. The 5-day run proved successful, and this is a programming model we intend to continue to offer. During this time Family Portrait was being simultaneously presented at Young at Art, Belfast International Children's Festival. The piece continues to attract national and international attention with planned screenings taking place in Hakawy Festival, Egypt; Baboro Festival, Galway and DanceLive, Aberdeen in autumn 2022. |
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BARROWLAND BALLET (REGISTERED NUMBER: SC344711) |
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REPORT OF THE TRUSTEES |
For The Year Ended 31 March 2022 |
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This has proven to be our most environmentally friendly production to date, created with minimal carbon footprint and being able to tour with minimal, if any, travel. |
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New Work |
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Barrowland Ballet was successful in an application to Eden Court, Capital Theatre and Aberdeen Performing Arts joint commission for a new festive show for early years. Following a week of R&D and a subsequent four-week creation period in November, our new work, The Gift, premiered at Eden Court in December 21, with performances planned for 2022 and 2023 at Capital Theatre and The Lemon Tree respectively. |
Barrowland Ballet also supported Jude Williams in her successful Creative Scotland Open Fund application for research and development of new show Chunky Jewellery, in which Artistic Director Natasha Gilmore is co-creator and also performs. The Research and Development period took place across June 21, October 21 and June 22. It is intended that Barrowland Ballet will take forward the creation and touring of this work as a co-production with Jude Williams in the 2023/24 period, pending further funding being secured. |
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Dance Film |
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Barrowland Ballet has had continued international success with its repertoire of dance films, garnering several laurels from established film festivals across 21-22. Across the year our films have been officially selected and featured at Sans Souci Dance Film Festival, USA; Screen.Dance Scotland, Aesthetica Film Festival, York; San Francisco Indie Short Film Festival, USA; Inspired Dance Film Festival, Australia; In Shadow Festival, Portugal; Knoxbox Film Festival USA and Korea and Kinetoscope Film Festival, USA; with Whiteout becoming a Festival winner at Denton Black Film Festival, USA. The company's film portfolio is demonstrating an ability to reach new audiences, develop Barrowland Ballet's profile internationally and to generate a modest income within a challenging global context. |
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Participatory Work |
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Having adapted and delivered a limited online participatory programme in 20/21, we were delighted to recommence our in-person programme in full with additional projects thanks to additional funding. |
Having worked with our Wolf Pack intergenerational company via zoom over the various lockdowns we were delighted to commence outdoor and in person sessions from April 2021. |
Across the spring term from April- June the company focused on the creation of a new short dance film And I'll Huff, a loose retelling of the Three Little Pigs in the time of a global pandemic made through a series of solos, ensuring the safety of our participants. Filming took place across two weeks in June with the final film being completed in time to premiere as part of Dance International Glasgow's digital film programme and community screening event in October 21. The company continued to meet outdoors until the end of October when, following strict guidelines, rehearsals were moved indoors. There they worked towards a performance at GO Dance 22, however unfortunately we had to withdraw from the showcase due to an outbreak of COVID within the delivery team. It is intended that this new piece, Monument, will be performed instead at Indepen-dance's Gathered Together Festival in July 22. |
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Having also been moved to online delivery as a result of the January lockdown, professional Contemporary Class resumed in-person, outdoor delivery from 22nd April at The Hidden Gardens on Thursday mornings and Queen's Park on Friday mornings. In November we moved our Thursday morning sessions indoors at St Ninian's Church. This hybrid model has proved successful with both indoor and outdoor sessions being well attended reaching 665 participants across the year. |
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Barrowland Ballet were successful in applying to Creative Scotland's Youth Arts Access Fund to deliver a Dance for Camera project with our partnership schools. Running from May 21-June 22, the project saw Natasha Gilmore, a team of dance artists, a cinematographer and sound designer work with P4-P7 pupils from St Albert's Primary and three ASN classes each from St Albert's Primary and Isobel Mair School, to create and perform in their own contemporary dance films, inspired by Barrowland Ballet's existing repertoire of films. We were able to engage with 229 young people in the creation of three new films Hoods Off, The Tea Party and Frames, providing experience in front and behind the screen, introducing choreography, framing and shooting dance for camera. All three films were professionally edited before sharing with the young people and their families with a red-carpet film premiere event at St Albert's Primary School and a screening celebration for pupils at Isobel Mair in June 2022. |
BARROWLAND BALLET (REGISTERED NUMBER: SC344711) |
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REPORT OF THE TRUSTEES |
For The Year Ended 31 March 2022 |
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Natasha was commissioned by Hong Kong Arts Festival to work remotely with a choreographer and creative team in Hong Kong to deliver a large-scale intergenerational project, based on Wolves. Unfortunately, the premiere, which was due in February 2022, was subsequently cancelled due to restrictions relating to Omicron rendering them unable to perform live. Instead the format of the project changed and the group developed elements of work digitally, ultimately creating a short film and documentary. |
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Sector Development and Leadership |
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Barrowland Ballet are proud to contribute to the local, national and international arts ecology. Artistic Director, Natasha Gilmore, continues to provide formal and informal mentoring to dance artists and choreographers. The Barrowland Ballet team continue to contribute to a number of networks and forums, and throughout the year have been invited to share their practice through talks, panel discussions and masterclasses both within the UK and internationally. |
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This year Natasha presented at numerous events including IPAY Culture Crew Festival (North American showcase); and BIG ART seminar with Dansen Hus, Oslo; Windows to New Work, The Place London and Theatre Alibi's online delegate events to discuss Family Portrait. She also presented at the International Inclusive Arts Network (IIAN) Congress "Catch the Wave" on her work for and with young people with complex needs such as autism. |
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Continuation of Barrowland Ballet and The Work Room's Professional Contemporary class for dance artists in Glasgow helps to address the current, acute gap in provision. In addition, Barrowland Ballet and The Work Room continued their Recent Dance Graduate Programme with three successful applicants receiving mentorship, Work Room membership, a professional 'buddy', and free attendance to professional contemporary class. In addition to this programme Barrowland Ballet and The Work Room are in receipt of funding through Creative Scotland's Youth Bursary Programme, allowing us to provide two emerging choreographers and dance artists, aged 18 - 24 years with paid time and the wrap-around support from both organisations, to instigate and develop their own creative projects. These bursaries, named after Rosina Bonsu, will run until October 2022. |
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FINANCIAL REVIEW |
Financial position |
Barrowland Ballet's financial model has relied on a combination of funding and earned income. Earned income has been obtained through commissions of new work, co-productions, performances, screenings and participatory engagement work. |
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Funding is sought from a variety of sources. Since 2015 Barrowland Ballet has been in receipt of regular funding from Creative Scotland, with a current funding award in place until 31 March 2022. The funding from Creative Scotland is used to support the charity to seek match funding from Trusts and Foundations such as The National Lottery Community Fund, the Paul Hamlyn Foundation and The Roberson Trust. With secure long-term Creative Scotland funding for the period April 2018 - March 2022 the charity aims to use this leverage to diversify its funding base further, ensuring its ongoing financial resilience. Creative Scotland considers any core funding provided under this agreement to be unrestricted for the purposes of classification under the requirements of the SORP for Charities. |
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Reserves policy |
The company will maintain charity reserves to a level that would support a minimum of three months, and ideally six months of staff and office running costs. This is to allow either the sufficient continuation of operations following any unexpected shortfall in revenue, provide resources for any unexpected opportunities, provide sufficient working capital to assist in day to day fluctuations in cashflow or, if necessary, time to allow the company to be wound up. |
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Reserves should be reviewed annually. |
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Reserves achieved beyond the figure necessary to support six months of activity will be invested back into the company's programme of activity. |
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BARROWLAND BALLET (REGISTERED NUMBER: SC344711) |
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REPORT OF THE TRUSTEES |
For The Year Ended 31 March 2022 |
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FUTURE PLANS |
Barrowland Ballet's existing work continues to receive ongoing interest for further national and international touring. It is our intention to engage with a producer on a part-time basis who will support the planning of our onward touring and international portfolio of work. There is significant interest in Playful Tiger together with Tiger Tale and Tiger, both due to a large amount of tour booking being postponed due to the pandemic in 2020 together with new interest. Family Portrait has also received significant interest since it's premier and looks to continue to build a strong international presence. |
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The Gift, developed in Winter 2021 through a co-commission with Eden Court Theatre, Aberdeen Performing Arts, and Capital Theatre will be presented at The Studio, Edinburgh in December 2022. Capital Theatre have offered additional funding in order to support the creation of an adapted version of the work that is suitable for children with complex needs such as autism. The adaptation process will begin from late Autumn 2022 and it is intended to involve young people from our partner schools Isobel Mair and St Alberts in the creation of this work and to support additional training for the team who will be delivering performances. |
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In December 21 it was confirmed that Barrowland Ballet, together with artistic collaborators Atta Festival, Turkey, had been successful in its application to the British Council International Collaboration Fund. We have been awarded £65,483 to collaborate in the creation of an adapted version of Poggle for young children with complex needs such as autism. The project will involve a cast in the UK and one in Turkey, with the work due to premiere in November 2023. |
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Following a halt to production in 2020 due to the pandemic restrictions, Learning to Fly, our work for young people co-commissioned by Imaginate, is now scheduled for completion in Spring 2023 with a short Scottish tour including presentation at Edinburgh International Children's Festival in May 2023. |
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Throughout the 2022/23 period, Barrowland Ballet has been funded by Creative Scotland's 'Radical Care' programme, to co-design and test the implementation of bespoke 'Care Riders' to support those with caring responsibilities to identify and articulate their needs. The intention is to take an expansive and holistic approach to provision and structures of support, and the investigation will span different roles and context. It is hoped that sharing the process and impact of Care Riders with the wider sector will help to normalise these requirements and this provision. This project will accelerate Barrowland Ballet's existing work in addressing barriers for caregivers, with a strong focus on mothers and single parent families |
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Barrowland Ballet has received 'Recovery Funds for Cultural Organisations' through Creative Scotland in order to rebuild and create opportunities to increase our financial resilience after the COVID-19 pandemic. We will be investing these funds across a number of areas of our business, specifically our Digital Programme, Performance and Participation Programme, Marketing, and to review and support us to develop our approach to use of space. |
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TEAM |
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Salaried |
Artistic Director Natasha Gilmore, F/T |
Associate Artist Aya Kobayashi, P/T |
Executive Producer Jo Walmsley (returning P/T following maternity leave ending August 2021) |
General Manager Nicola Denman, F/T |
Production Manager Craig Fleming, P/T |
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Freelance |
Barrowland Ballet employs and engages with a significant number of freelance professionals in order to deliver its ambitious programme of work which requires numerous artistic, production, communication and producing roles. Many of these individuals have been involved in the work of Barrowland Ballet for several years. The charity thrives due to the skill, talent and effort of the independent creative sector. |
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STRUCTURE, GOVERNANCE AND MANAGEMENT |
Governing document |
The charity is controlled by its governing document, a deed of trust, and constitutes a limited company, limited by guarantee, as defined by the Companies Act 2006. |
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The liability of the members is limited to £1 each. |
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BARROWLAND BALLET (REGISTERED NUMBER: SC344711) |
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REPORT OF THE TRUSTEES |
For The Year Ended 31 March 2022 |
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STRUCTURE, GOVERNANCE AND MANAGEMENT |
Recruitment and appointment of new trustees |
The charity has a policy in place whereby the constitution of the board of trustees is reviewed on an annual basis. The trustees undertake an informal skills audit with a view to appointing new members. The charity has an objective to have the majority of the board as non-executives. |
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Risk management |
The trustees have a duty to identify and review the risks to which the charity is exposed and to ensure appropriate controls are in place to provide reasonable assurance against fraud and error. |
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REFERENCE AND ADMINISTRATIVE DETAILS |
Registered Company number |
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Registered Charity number |
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Registered office |
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Trustees |
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Independent Examiner |
Kathleen Benham CA |
Benham Conway & Co. |
Chartered Accountants |
16 Royal Crescent |
Glasgow |
G3 7SL |
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Approved by order of the board of trustees on
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INDEPENDENT EXAMINER'S REPORT TO THE TRUSTEES OF |
BARROWLAND BALLET |
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I report on the accounts for the year ended 31 March 2022 set out on pages eight to fifteen. |
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Respective responsibilities of trustees and examiner |
The charity's trustees are responsible for the preparation of the accounts in accordance with the terms of the Charities and Trustee Investment (Scotland) Act 2005 and the Charities Accounts (Scotland) Regulations 2006 (as amended). The charity's trustees consider that the audit requirement of Regulation 10(1)(a) to (c) of the Accounts Regulations does not apply. It is my responsibility to examine the accounts as required under Section 44(1)(c) of the Act and to state whether particular matters have come to my attention. |
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Basis of the independent examiner's report |
My examination was carried out in accordance with Regulation 11 of the Charities Accounts (Scotland) Regulations 2006. An examination includes a review of the accounting records kept by the charity and a comparison of the accounts presented with those records. It also includes consideration of any unusual items or disclosures in the accounts, and seeking explanations from you as trustees concerning any such matters. The procedures undertaken do not provide all the evidence that would be required in an audit, and consequently I do not express an audit opinion on the view given by the accounts. |
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Independent examiner's statement |
In connection with my examination, no matter has come to my attention : |
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(1) | which gives me reasonable cause to believe that, in any material respect, the requirements |
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- | to keep accounting records in accordance with Section 44(1)(a) of the 2005 Act and Regulation 4 of the 2006 Accounts Regulations; and |
- | to prepare accounts which accord with the accounting records and to comply with Regulation 8 of the 2006 Accounts Regulations |
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have not been met; or |
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(2) | to which, in my opinion, attention should be drawn in order to enable a proper understanding of the accounts to be reached. |
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Kathleen Benham CA |
Benham Conway & Co. |
Chartered Accountants |
16 Royal Crescent |
Glasgow |
G3 7SL |
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8 November 2022 |
BARROWLAND BALLET |
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STATEMENT OF FINANCIAL ACTIVITIES |
For The Year Ended 31 March 2022 |
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31.3.22 | 31.3.21 |
Unrestricted | Restricted | Total | Total |
funds | funds | funds | funds |
Notes | £ | £ | £ | £ |
INCOME AND ENDOWMENTS FROM |
Charitable activities |
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Charitable activities | 280,773 | 87,974 | 368,747 | 242,842 |
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Investment income | 2 |
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Total |
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EXPENDITURE ON |
Charitable activities |
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Total |
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NET INCOME |
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RECONCILIATION OF FUNDS |
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Total funds brought forward |
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TOTAL FUNDS CARRIED FORWARD |
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227,027 |
BARROWLAND BALLET (REGISTERED NUMBER: SC344711) |
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BALANCE SHEET |
31 March 2022 |
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31.3.22 | 31.3.21 |
Notes | £ | £ |
FIXED ASSETS |
Tangible assets | 7 |
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CURRENT ASSETS |
Debtors | 8 |
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Cash at bank |
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CREDITORS |
Amounts falling due within one year | 9 |
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NET CURRENT ASSETS |
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TOTAL ASSETS LESS CURRENT
LIABILITIES |
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NET ASSETS |
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FUNDS | 11 |
Unrestricted funds |
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189,744 |
Restricted funds |
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37,283 |
TOTAL FUNDS |
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227,027 |
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The charitable company is entitled to exemption from audit under Section 477 of the Companies Act 2006 for the year ended 31 March 2022. |
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The members have not required the company to obtain an audit of its financial statements for the year ended 31 March 2022 in accordance with Section 476 of the Companies Act 2006. |
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The trustees acknowledge their responsibilities for |
(a) | ensuring that the charitable company keeps accounting records that comply with Sections 386 and 387 of the Companies Act 2006 and |
(b) | preparing financial statements which give a true and fair view of the state of affairs of the charitable company as at the end of each financial year and of its surplus or deficit for each financial year in accordance with the requirements of Sections 394 and 395 and which otherwise comply with the requirements of the Companies Act 2006 relating to financial statements, so far as applicable to the charitable company. |
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BARROWLAND BALLET (REGISTERED NUMBER: SC344711) |
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BALANCE SHEET - continued |
31 March 2022 |
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These financial statements have been prepared in accordance with the provisions applicable to charitable companies subject to the small companies regime. |
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The financial statements were approved by the Board of Trustees and authorised for issue on
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BARROWLAND BALLET |
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NOTES TO THE FINANCIAL STATEMENTS |
For The Year Ended 31 March 2022 |
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1. | ACCOUNTING POLICIES |
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Basis of preparing the financial statements |
The financial statements of the charitable company, which is a public benefit entity under FRS 102, have been prepared in accordance with the Charities SORP (FRS 102) 'Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) (effective 1 January 2019)', Financial Reporting Standard 102 'The Financial Reporting Standard applicable in the UK and Republic of Ireland' and the Companies Act 2006. The financial statements have been prepared under the historical cost convention. |
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Income |
All income is recognised in the Statement of Financial Activities once the charity has entitlement to the funds, it is probable that the income will be received and the amount can be measured reliably. |
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Expenditure |
Liabilities are recognised as expenditure as soon as there is a legal or constructive obligation committing the charity to that expenditure, it is probable that a transfer of economic benefits will be required in settlement and the amount of the obligation can be measured reliably. Expenditure is accounted for on an accruals basis and has been classified under headings that aggregate all cost related to the category. Where costs cannot be directly attributed to particular headings they have been allocated to activities on a basis consistent with the use of resources. |
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Tangible fixed assets |
Depreciation is provided at the following annual rates in order to write off the cost less estimated residual value of each asset over its estimated useful life. |
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Computer Equipment 25 % on cost. |
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Taxation |
The charity is exempt from corporation tax on its charitable activities. |
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Fund accounting |
Unrestricted funds can be used in accordance with the charitable objectives at the discretion of the trustees. |
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Restricted funds can only be used for particular restricted purposes within the objects of the charity. Restrictions arise when specified by the donor or when funds are raised for particular restricted purposes. |
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Further explanation of the nature and purpose of each fund is included in the notes to the financial statements. |
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2. | INVESTMENT INCOME |
31.3.22 | 31.3.21 |
£ | £ |
Investment income |
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BARROWLAND BALLET |
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NOTES TO THE FINANCIAL STATEMENTS - continued |
For The Year Ended 31 March 2022 |
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3. | NET INCOME/(EXPENDITURE) |
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Net income/(expenditure) is stated after charging/(crediting): |
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31.3.22 | 31.3.21 |
£ | £ |
Depreciation - owned assets |
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4. | TRUSTEES' REMUNERATION AND BENEFITS |
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N. Gilmore received remuneration of £45,061 in the year (2021, £44,615). |
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Trustees' expenses |
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N. Gilmore was reimbursed £1,666 for the year ended 31 March 2022 (2021, £349) |
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5. | STAFF COSTS |
31.3.22 | 31.3.21 |
£ | £ |
Wages and salaries |
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138,038 | 149,364 |
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The average monthly number of employees during the year was as follows: |
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31.3.22 | 31.3.21 |
Staff |
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6. | COMPARATIVES FOR THE STATEMENT OF FINANCIAL ACTIVITIES |
Unrestricted | Restricted | Total |
funds | funds | funds |
£ | £ | £ |
INCOME AND ENDOWMENTS FROM |
Charitable activities |
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Charitable activities | 209,230 | 33,612 | 242,842 |
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Investment income |
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Total |
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EXPENDITURE ON |
Charitable activities |
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Total |
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NET INCOME |
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BARROWLAND BALLET |
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NOTES TO THE FINANCIAL STATEMENTS - continued |
For The Year Ended 31 March 2022 |
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6. | COMPARATIVES FOR THE STATEMENT OF FINANCIAL ACTIVITIES - continued |
Unrestricted | Restricted | Total |
funds | funds | funds |
£ | £ | £ |
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RECONCILIATION OF FUNDS |
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Total funds brought forward | 172,543 | 9,464 |
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TOTAL FUNDS CARRIED FORWARD | 189,744 | 37,283 | 227,027 |
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7. | TANGIBLE FIXED ASSETS |
Computer |
equipment |
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COST |
At 1 April 2021 and 31 March 2022 |
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DEPRECIATION |
At 1 April 2021 |
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Charge for year |
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At 31 March 2022 |
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NET BOOK VALUE |
At 31 March 2022 |
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At 31 March 2021 |
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8. | DEBTORS: AMOUNTS FALLING DUE WITHIN ONE YEAR |
31.3.22 | 31.3.21 |
£ | £ |
Other debtors |
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BARROWLAND BALLET |
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NOTES TO THE FINANCIAL STATEMENTS - continued |
For The Year Ended 31 March 2022 |
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9. | CREDITORS: AMOUNTS FALLING DUE WITHIN ONE YEAR |
31.3.22 | 31.3.21 |
£ | £ |
Taxation and social security |
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Other creditors |
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10. | ANALYSIS OF NET ASSETS BETWEEN FUNDS |
31.3.22 | 31.3.21 |
Unrestricted | Restricted | Total | Total |
funds | funds | funds | funds |
£ | £ | £ | £ |
Fixed assets | - | - | - | 408 |
Current assets |
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Current liabilities |
( |
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258,062 | 65,828 | 323,890 | 227,027 |
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11. | MOVEMENT IN FUNDS |
Net |
movement | At |
At 1.4.21 | in funds | 31.3.22 |
£ | £ | £ |
Unrestricted funds |
General fund | 189,744 | 68,318 | 258,062 |
|
Restricted funds |
Restricted | 37,283 | 28,545 | 65,828 |
|
TOTAL FUNDS |
|
96,863 | 323,890 |
|
Net movement in funds, included in the above are as follows: |
|
Incoming | Resources | Movement |
resources | expended | in funds |
£ | £ | £ |
Unrestricted funds |
General fund | 280,888 | (212,570 | ) | 68,318 |
|
Restricted funds |
Restricted | 87,974 | (59,429 | ) | 28,545 |
|
TOTAL FUNDS |
|
( |
) | 96,863 |
|
BARROWLAND BALLET |
|
NOTES TO THE FINANCIAL STATEMENTS - continued |
For The Year Ended 31 March 2022 |
|
|
11. | MOVEMENT IN FUNDS - continued |
|
Comparatives for movement in funds |
|
Net |
movement | At |
At 1.4.20 | in funds | 31.3.21 |
£ | £ | £ |
Unrestricted funds |
General fund | 172,543 | 17,201 | 189,744 |
|
Restricted funds |
Restricted | 9,464 | 27,819 | 37,283 |
|
TOTAL FUNDS | 182,007 | 45,020 | 227,027 |
|
Comparative net movement in funds, included in the above are as follows: |
|
Incoming | Resources | Movement |
resources | expended | in funds |
£ | £ | £ |
Unrestricted funds |
General fund | 258,711 | (241,510 | ) | 17,201 |
|
Restricted funds |
Restricted | 33,612 | (5,793 | ) | 27,819 |
|
TOTAL FUNDS | 292,323 | (247,303 | ) | 45,020 |
|
12. | RELATED PARTY DISCLOSURES |
|
|